"A heartbreakingly beautiful debut." Sandra A. Miller, author of Wednesdays at OneIn the middle of 1974, Flora is privileged and middle-aged in a liberation-hued America, and feels both compelled by and left out of the women's movement. She finds it difficult to activate her limited supply of empathy as she contends with a clandestine and unlikely friendship, a worrisome health scare, a domineering and philandering psychiatrist husband or her own distant daughter.Flora's secret foray into psychotherapy does nothing to halt the sense that there is a better life for her somewhere else, in some parallel existence. Through the continuum of psychological diagnoses, she is lost in the murky place between contentment and discontentment, normal and abnormal.Is her state of mind a clinical, diagnosable condition, or common malaise? Perhaps she'll find out if she stops resisting to share herself with those who love her.

Michael D'Augustino is a priest in the time of the Inquisition. Marked as weak for his refusal to torture those charged with sorcery, heresy, devil worship or worse, he's given another task. Feed the prisoner in the cell in the darkest corner of the dungeon. With the edict comes a set of instructions. But all is not as it seems and, before the night is through, Michael will be changed forever.Keep your distance. Don't look him in the eye. Feed him and leave.Michael D'Augustino is a priest in the time of the Inquisition. Marked as weak for his refusal to torture those charged with sorcery, heresy, devil worship or worse, he's given another task. Feed the prisoner in the cell in the darkest corner of the dungeon. With the edict comes a set of instructions.Ever obedient, Michael does exactly as he is told. Until the night his charge doesn't eat and Michael has to enter the cell to find out why. Instead of the beast he believes to be imprisoned there, he finds a man. A broken, tormented man who asks for help.But all is not as it seems and, before the night is through, Michael will be changed forever.

A RECOMMENDED BOOK OF 2019 FROMVanity Fair * Vogue * The Huffington PostA stunning collection of fiction, diary entries, screenplays, and scripts by the brilliant African-American artist and filmmakerRelatively unknown during her life, the artist, filmmaker, and writer Kathleen Collins emerged on the literary scene in 2016 with the posthumous publication of the short story collection Whatever Happened to Interracial Love? Said Zadie Smith, "To be this good and yet to be ignored is shameful, but her rediscovery is a great piece of luck for us."That rediscovery continues in Notes from a Black Woman's Diary, which spans genres to reveal the breadth and depth of the late author's talent. The compilation is anchored by more of Collins's short stories, which, striking and powerful in their brevity, reveal the ways in which relationships are both formed and come undone. Also collected here is the work Collins wrote for the...

An estranged mate, a mangled body and a powerful demon who calls her by name… As a Realm Walker for the Agency, Juliana Norris tracks deadly paranormal quarry using her unique ability to see magical signatures. She excels at her job, but her friends worry about her mysterious habit of dying in the line of duty without staying dead. That’s only the first of her secrets. Most people don’t know Juliana became the mate of master vampire Thomas Kendrick before he abandoned her seven years ago. Most people don’t know the horrors she endured at the hands of the vampire he left in command. Most people don’t know her true parentage, or why a demon on a world-threatening rampage has taken a personal interest in her… Even as Juliana pursues the demon, it goes after all she holds dear—including Thomas, who is back to claim her for his own. But if she can’t reconcile her past and learn to trust herself again, she will lose him forever.